Sunday 8 April 2012

Looking At Everything



 In what ways does your media product use, develop or challenge forms and conventions of real media products?

When we were generating ideas for our music video, we decided to use conventions of the R’n’B music genre. We did this for various reasons but one of the main reasons was to fit into the existing R’n’B scene and gain a wider audience and feedback. R’n’B is one of the biggest and most popular music genres out there.

We fully understand the forms and conventions of R’n’B music as we have been listening to R’n’B pretty much all our lives and are fans of the genre ourselves. We compared our song and video to other R’n’B products. But for this evaluation I am going to compare it to even more. A typical R’n’B track has some piano keys or strings and bass, a simple drum pattern and an artist speaking about feeling good or sad – usually the artist will speak about the other sex and attraction too.

‘My Last’ by Big Sean has exactly these features – moreover in the song he’s talking about being able to have a good life and certainly mentions the opposite sex more than once. His video shows plenty of females around him partying and dancing. Even though Big Sean is a Hip Hop artist he has adapted the Hip Hop genre to make an R’n’B track. Hip Hop and R’n’B are very similar – so Big Sean has used a slower beat and added a singing artist but still used females as an iconic status and a statement of ‘making it’.

Another modern R’n’B track is Chris Brown’s ‘No Bull****’. The instrument on the main melody is once again a piano played in chords and there is also some strings on the outro of the song. This song also has a slow instrumental and more importantly, a singing artist. However the music video has fewer females compared to Big Sean’s video. In fact Chris Brown’s video has only one female and minimal scenes of that female. But to make up for that, the lyrical content in this song is much more explicit and focused on the opposite gender.

One more R’n’B song I would like to compare our project to is a little older and considered an all time R’n’B classic. ‘My Boo’ by Alicia Keys and Usher once again focuses on singing, string instruments and talking about attraction, care and love. This song is more of a duet and talks about the qualities they admire in each other. The song also mentions the good times they have together as a couple.

I can compare our music video and song to these examples and find plenty of similarities. First of all our song has a simple drum pattern, pianos as the main melody and moreover complimentary melodies played by strings all running together at 90bpm making it slow enough for R’n’B singing.

The instrumental was created before we started this project but we found that it was the perfect choice for what we wanted to do. It had everything we were looking for because while I was creating it, I knew that it would be better to conform to the genre rather than to challenge it. Challenging the genre conventions would make it harder to identify and possibly cause it to lose its target audience.

The lyrical content of our song is also similar. Ayo is complimenting the female he is attracted to and explaining how he truly admires her personality and qualities. On the other hand Ayo is a rapper and not a singer but we made sure we had a singer to enhance that true R’n’B sensation we were trying to develop. Sam is on the chorus and he also compliments the female. Therefore we have Sam backing up Ayo’s statements; two artists, speaking from the same perspective, but in a different manner.

Finally, our video uses various conventions to enlarge our audience. We had a large emphasis on the colour red for this project. Red is the colour of love, passion, attraction and overall is just a very attractive and vibrant colour. We wanted to enforce the feelings and emotions by using that colour – we used a red filter on the music video to achieve this. And red text and highlights where necessary.

Also we used artificial lighting from the cars in the video to create silhouettes of the actors Kashif and October. The reason why we used silhouettes was to portray the good old sayings ‘It’s what’s on the inside that counts’ and ‘Don’t judge a book by its cover’. In the video Kashif tells his friends he has been seeing October in the area quite frequently and that he likes her. He then gains a confidence boost from his friends and things go surprisingly well for him. By doing this we wanted portray another saying ‘If you don’t try, you’ll never find out’.

More importantly R’n’B music videos do not usually use themes of materialism like Hip Hop videos do. Instead they tend to use symbols, references and images. Showing two figures together simply defines co-operation, care and love.

What have you learned from your audience feedback?

Overall we used conventions of the R’n’B genre to fit in and enlarge our potential viewing audience. Using the conventions has truly paid off. Our music video has been well received and viewed by many people of different classes, races and across many different geographical regions .

I personally appreciate all the feedback we have received. We have gained over 1800+ views on YouTube. However due to the feedback we received we felt the video could be improved. We have two versions of our music video. One is what we are calling the draft, this is the first version. The second version is our final version, released after the draft and is also being called the official video.
The video has been improved and not re-done. We have improved the video is various ways. One of the main complaints we received was that the intro was rather lengthy and that it took too long for the song to start. So what we did was remove parts of the intro making it shorter.

We also made the intro sound better; the windy sound effect used in the draft was used because whilst we were recording the intro there was conversations from pedestrians and other noises that we didn’t want to include. I then found a better sound effect and replaced it with a digetic traffic sound, of cars passing by.

We filmed the music video in the night time so that there were less people and that the video had a more relaxed and romantic feel to it. Many said that the artists were a bit hard to see on the chorus. 

This is because the choruses had overlays on them and also low lighting. What we decided to do was shoot the choruses in the daytime. This consequently made the lighting better and made the actors and artists seem apart from each other. The video is in narrative style but our viewers had the misconception that the artists were following or stalking the couple whereas it was really more of a story-telling flashback. Having the scenes clearly distinguished by day and night has erased the misunderstanding and solved the problem.

The previous video had terrible lip sync but we didn’t feel it mattered because the focus was more on the couple’s acting. We also used the wrong version of the song in the video meaning good lip syncing would have been impossible anyways. Lip sync is one of the features we focused most on in the official video.

These are a few of the features in the final video that have been included or improved. Having a grateful audience giving us detailed feedback via Facebook, YouTube or even word of mouth has encouraged us to output a music video of even higher quality.

How effective is the combination of your main product and ancillary texts?

Once again using the colour red has benefited us greatly; it allowed us to create a very strong link between the ancillary texts and the music video. Here is the front cover for the digipak – Red is used on the pictures of Ayo, and also on the stroke accents.

It’s not just red that I used though, I used the actual texts seen in the music video so that the digipak and music video has an even closer reference to each other. This is the ‘Lookin’ At You’ logo that Kashif and October walk past. On my front cover, it is used as the title text. This is the definition text of the word ‘Looking’. It can also be seen in the intro of our music video. I have enforced the reference between the music video and the digipak by using it as art for the inside left. I thought it would be very effective if someone was to open the digipak and be greeted by another item from the actual music video.

On the back, you can see a picture of the London Eye. The London Eye is used as an icon in our music video because it resembles an eye and the title of our song is called ‘Lookin’ At You’. Using the London Eye bonded the song and the video together. I feel it is a great concept because the London Eye is also considered as a romantic location. The London Eye is very popular to tourists and very eye-catching too. We also used this tourist attraction to further give off our location. Therefore I linked it to my ancillary task by using it on the back cover to have an impact on people who like the area or to be more specific the London Eye.

The magazine advert for the digipak uses the same concept of having red as a theme to link the two together. The advert has Ayo’s pictures in the background, less focused and than the actual digipak on top. The 5 stars and text are red ensuring that all media products of this project are consistent and come together like a family. I have combined themes, text, logos, images, symbols, ideas and concepts and I think they work well together, very effectively.

How did you use new media technologies in the construction and research, planning and evaluation stages?

Technology played a very important part in the production of all our media products. We used a Blue Yeti microphone to record the vocals of our song, Fruity Loops to produce the instrumental we used, a Canon Legria HF 20 to record the footage, a Velbon CX-480 tripod to get stable shots, Sony Vegas to edit the video, Adobe Photoshop to create album art, the internet to research and YouTube, Facebook and Twitter to share our work.

I value the technology we used because it has given me and my team the upper hand, allowing us to picture and develop each of our ideas further. It feels good to say that we have made a song, a music video and even album art.

The Blue Yeti microphone is a high quality microphone which helped us to construct a song that could be taken seriously enough by the public. The lyrics were clear and loud enough which consequently resulted in a high quality song meaning we were confident enough to share our product. If we used a poor microphone the instrumental would have overpowered the vocals and moreover equalled in a bad quality song.

Fruity Loops is music production software, this is what I used to create the instrumental. This instrumental was created in free time. By having a beat that already existed, it cut down the time of having to make a new one from scratch. It also reduced the time of planning for this whole project. It gave Daniel who is in charge of directing, research and planning more time to generate ideas and progress towards a final product.

The Canon Legria HF 20 is a great HD compact camcorder. The most important part to me is that the camera is HD; the camera is able to record footage in 1080p. 1080p is the highest form of HD available right now. HD stands for high definition, meaning the picture quality is even more stunning, pristine and clear compared to standard definition cameras. Having a music video of such quality is something to be proud of and we have also noticed our music video appear on various websites. One of the websites reviewed our video’s picture quality.

The Velbon CX-480 is simple to use. Stanley the cameraman used this tripod to get smooth pans and steady shots. Without the tripod we wouldn’t be able to achieve special effects like the time-lapse used in verse three. To achieve time-lapse you would need two different shots but in the same position. The tripod made our video seem more professional – we compared our music video to others and the majority have steady shots unless they were aiming for a shaky camera effect.

In my opinion Sony Vegas has been the most important software used. This is because I truly feel that the music video is my favourite part of this media project. Sony Vegas is my favourite video editing software because I have been using it for over a year now. It’s powerful, up to date and easy to use. I recommend this software mostly because of its simplicity and vast array of effects. We used effects like the red filter and red tint on our time-lapse. More effects used were the crossfades, splitscreen and flashes. Sony Vegas understands plenty of codecs and formats unlike its competitors take for instance Final Cut Pro. I’m glad I used Sony Vegas because it also has a range of great abilities like the cookie cutter which helped me to achieve the effect of Kashif and October making this text fade away.

Adobe Photoshop has got to be the most popular photo editing software out there. We used Photoshop to create the ancillary products like the digipak and advert. There was heavy use of the internet to research other artist’s album art. In Photoshop I made the dimensions of the pictures 1000x1000px which makes it a square. I then gathered ideas and brought it to life. Photoshop is great to use because the possibilities are endless – the amount of features and utilities are too much to mention.

Finally we used social media and social networking to extend our work to the public. YouTube is where we uploaded the music video, we chose YouTube because we knew it was the most popular and most visited video sharing website. We then utilised social networking sites like Facebook, Twitter and Google+ to advance the amount of feedback we would receive.

Conclusion

In conclusion it has been a great experience to make such products of media like a song and a music video. I’m sure everyone in the team is overwhelmed by the feedback we have received and the final product itself. All in all the technology, hardware and software has granted us the ability to bring our ideas to life. Everything from the camera to the internet has been valued greatly in all stages of research, planning, construction and evaluation. We have utilised everything throughout the creation of our media products to the best potential.

I feel that each piece of work for this project is great in its own way. Our work could be better but we had constraints like time and equipment. If I was to do this project again I would definitely put more planning and development into each section of the work. Also it would be a pleasure to make another video but with technological advancements this time, like an even better camera or a faster PC for better editing.

Making the instrumental, song, video and ancillary tasks with my team has been a pleasure, a great experience and moreover beneficial to my knowledge and understanding of the music scene and various genres. Looking back at where we started and then looking at our final products makes me feel happy for my team and where we will take media in the near future. I feel that I am even more advanced in media studies. My skills feel refreshed and sharpened and I hope to look back at these pieces of work and reflect on even more experience gained.

Monday 19 March 2012

Look Again


The music video has been improved in various ways:

+ Video is shorter; parts of the intro were removed
+ The windy noise on the previous intro has been replaced with a digetic traffic sound
+ Choruses in daytime for better lighting and so that the artists and actors do not appear to be together
+ Closer shots of the artists
+ Overlays of the artist during narration to show involvement
+ Correct instrumental was used this time
+ Improved lip sync
+ Improved mastering and volume levelling
+ The break/ verse 3 utilises timelapse, crossfades and the colour red. It also involves the artists more
+  Error with jumpy cuts and green flash on the London Eye (outro) pan-up has been fixed

Monday 12 March 2012

Digipaks To Distribute

The digipak is complete and also with an advert to promote it.
Front

Inside (L)

Inside (R)

Back

Magazine Advert

Each of these items were compiled in Photoshop. Starting with the Front Cover I took a picture of Ayo and then cropped it to show only half of him. 


I then added posturisation and a red screen gradient to relate back to the video's theme of love/ attraction and the colour of love is red.

After that I duplicated the picture of Ayo 4 times and roughly spaced them out equally by calculating 1000 ÷ 5 (1000px being the width of my album art and 5 pictures of Ayo). I also added a black gradient this time that got weaker from left to right. The fading graidents on Ayo were calculated by 100 ÷ 5 (100 being 100% gradient opacity).

 This is the text that was created in Photoshop for the music video. It appears in the video when Kashif approaches October. I also made the text interact with the video by making it fade away as they walked past it. Whilst making this front cover I thought of what could be great title text and felt that using the text from the video was unbeatable.


The 'VOLAS' text was spaced out to fit into the 5 sections consisting of Ayo's pictures. This was simply achieved by adding extra spaces whilst typing the text i.e. V    O    L    A    S.


Other various images were added to make the cover look more professional; a Twitter logo, my 'M' logo and a DVD logo. I added a DVD logo and not a CD one because it's a video digipak and CD's only play music/ audio. The DVD logo was also coloured white and complimented with a shadow drop because it didn't really stand out when it was black.

Finally, I added lens flares to various parts of text and red strokes to the lines that seperate Ayo's pictures. (But these lines also have a vertical gradient of black to red so the red only appears at the bottom). NOTE: The background on this image has been changed to black to show lens flares better.

Putting The Ancillary First

 
This is my plan for the digipak. I will be using logos and text from the actual music video. White to black vertical gradients and red highlights will by my colour scheme. I will also use an image of the London Eye on the back to add even closer reference to the music video.

I also received inspiratation from a random picture I found online. The picture shows a couple and the progression of the relationship within time. This picture has 6 sections with different images. My album art will have 5 sections but with slight variations of the same image.

Ancillary Analysis

Digipaks are overlooked sometimes as they are only cases for the content that you really care about... The disc. However they actually need to be eye-catching and constructive enough to gain attention from bystanders and make people think about what it is that they are looking at. In this post I am going to analyse other students' dipaks (ancillary tasks). I was handed a bunch of links that lead to existing pieces of ancillary tasks.

Fahmina Ali

The first student is http://fahminaali.blogspot.co.uk/search/label/F%20I%20N%20A%20L - She was first on the list so I decided to start there. To my suprise I instantly admired the work. I feel that there's a lot of ideas and planning behind something so simple such as a digipak.



The first thing that gets my attention is the use of red which consequently reminds me of me and my team's work. The girl on the actual CD is holding a glass with a red liquid substance in it. I'm not too sure what this piece of work is about but I took a quick look at the final music video and it appears that the digipak has actual references from the video. For example on the front cover, that shot is also seen in their video. The characters are in a cemetry and regarding the album title I think the red liquid substance in the glass on the CD signifies blood.

Another important thing is that the art is dark which emits a spooky and lonely feeling. The pictures are black and white but only red things that stand out. It seems they are thinking along the same line of making red stand out amongst other colours.



It reminds me of the red filter in our music video and when I decided to do a test on selective colouring to make sure that red was the only colour that would show up.

Overall I think this ancillary product is well produced and works well with their actual media product. She has included details like 'All Rights Reserved' statements and the barcode making her work look more believable and professional. I rate Fahmina's team's piece of work with an outstanding 9.5/10. The reason a perfect score isn't given is because I feel that even more details could be included, for example a DVD or CD logo to signify if the disc is a CD or DVD and also numbering on the back cover so that the track is easily identified.

Alexander Whitcombe

The second ancillary task I am analysing belongs to http://musicvideoalexanderwhitcombe.blogspot.co.uk/ - The digipak is much different to Fahmina's. I also like this digipak.


To be honest the inside covers look unprofessional, I would not expect to open a digipak on the market and see random, unedited photos. The photos do not show who's who or have a direct relevance to the music video. I have watched their final music video and I don't see any reference whatsoever for these photos to be included. However I am very interested in the front and back cover. They look very bright, radiant and artistic. I like how the characters (possibly 'Betty') has been drawn by hand.

This ancillary task gets a 4/10. It lacks details such as 'All Rights Reserved' statements and CD indentations. The inside pages have photos that would not make sense to a potential customer and seems like a lazy, rushed attempt to produce a digipak. I don't think there has been much planning involved. However the front and back cover makes up for it giving the overall package a 4/10.

Produce & Induce

The instrumental we used was an existing project of mine which was already released on YouTube but I edited it for coursework use. I upgraded my instruments kit and the quality of the bass and the shakers improved drastically. I also added a longer choir drop.


We then got round to recording the vocals and that was not done in a proffessional studio. We didn't have time for that. Instead we used a high quality microphone, the Blue Yeti. I was suprised at the quality the microphone was able to putput. Ayo and Sam recorded the lyrics and vocals and then mastered and put everything together in Logic.

The song was exported in the file format .wav which meant the compression would not be so high consequently resulting in a larger file (23mb) but also a higher quality file.

Monday 6 February 2012

Green Light For The Red

At first we were going to wear anything we wanted to but then we thought constructively regarding the red filter. We wanted our female actor to stand out and this would be easily achieved by using the red filter and having our subject wear red. We agreed that she would wear red and we wouldn't. We wore dark colours like black, grey, navy, blue and brown. All of these colours would not show up in the filter.


Ayo then came up with a good point that if she wore too much red it would be rather cliched. He felt it would be a better if she wore something iconic and smaller but still red. October was then ordered to wear red lipstick, a red scarf and paint her nails red. The scarf wasn't quite what I expected, it was a checkered white and red scarf showing red less than we wanted. We also wanted to ensure we got close ups of her lipstick and nails.



 
But to talk more in-depth about the actors and why we chose them... We chose October for her style, she's very cool, easy going and was more than willing to film with us. Kashif, we chose him because he fitted our idea perfectly. We was looking for a guy who didn't look like a typical male model and Kashif was a great choice. He wore a blue jacket and a shirt and tie. During the music video Kashif's tie changes colour to red, signifying that he felt closer and more indulged in October. It wasn't something that important but more of an easter egg for our viewers.

Monday 23 January 2012

Like Music To Their Ears

Our music video is directed towards everyone. Music is very powerful and it can have an influence on anyone who it touches. When we asked people for feedback we was not being picky or sending the video to a specific or targeted group of people. We literally sent it to to anyone and everyone.






However from the feedback attained we acknowledge from the YouTube video statistics that the video has hit every continent. From Europe to Africa to America. We also noticed that the video is viewed mostly by males with YouTube accounts of different ages.





We originally set out to spread the song and video to everyone, but as a result we have recieved more feedback and views from males. The song is an R'n'B track and it seems that it has been well received by both male and female audiences. However according to statistics and feedback, males seem to appreciate the video more. Perhaps because the song is told from a male's point of view. In the images above red hearts represent comments from females and blue lightning bolts represent comments from males. There are 13 comments from females and 14 comments from males.

On the other hand it also came to my attention that the majority of females who gave feedback were young American females. It might be that they have a thing for the scenery which is London or that the instrumental or lyrics were touching. Either way, all of the feedback is greatly appreciated. We gave our viewers music to their ears and with their feedback they returned the favour.

Monday 16 January 2012

Back To The Drawing Board

Over the course of one week our music video has attained over 1,500 views and we have received ample amount of critical feedback through various outlets and social networking sites such as YouTube, Facebook and Twitter.



All in all, the video has been well received, the audience love the song, the lyrics, instrumental, scenery, editing and the video itself. The majority gave positive feedback with little to no complaints. The negative feedback that was received the most was that the characters were very hard to see. In other words the lighting was bad or the shots were not close enough.

Our Media teacher is suggesting that we redo some scenes from the video. Our music video contains really good editing and shots but altogether it could be better. We, the team agree but because we spent so much time focusing on media and neglecting our other subjects we are now finding it hard to find time to re-shoot the parts that need to be updated.

We also noticed the song isn't in great sync with the video. This is because we filmed the video with the older version of the song and used the new version of the song for the actual video. We are taking all the improvements into consideration, the only thing that is against us is time. Moreoever the actors we used are no longer available especially as we are all back to school.

Another thing is that some of the actors are not comfortable with the camera being so close to them, especially with a bright light in their face. For example October laughs at pretty much everything and we doubt we would be able to capture more than a second of a close up for her.

Would this mean we would have to film a whole new video with new actors? We hope not, however on the other hand we are considering doing another video, this is how much we love media. Let me speak for myself actually. I love media with a passion. When it comes to media I am very creative, determined and focused. Doing a new video would not be stressful at all, it would be a pleasure. Then again time is our only constraint.



If we do a new video with a new song this is the instrumental we would use, once again produced by me in free time.



We are planning to do a song based on guilty conscience, inspired by Eminem's and Dr. Dre's 'Guilty Conscience'.

Monday 2 January 2012

Have A Look



The music video is up, over the holidays we have met up and worked so hard to acheive this end product. We have gained great feedback so far.